What do you know about Léon Gambetta?
Léon Gambetta was born on 2nd April 1838 in Cahors, where his family owned the ‘bazar génois’ (Genoese Bazaar). A lawyer, he made his name defending republican newspapers and presented himself as an opponent of Napoleon III and the monarchy.
In 1869, Gambetta was elected as a deputy with a radical programme calling for the extension of public freedom and advocating the separation of Church and State.
In 1870, following the defeat by Prussia, he took part in the creation of the Third Republic and established a Government of National Defence, for which he was Minister of the Interior (Home Secretary). Being surrounded by Prussian troops, he left Paris in a hot-air balloon, in order to reorganise a military defence.
The armistice was signed in January 1871, but Gambetta objected to the surrender of part of Alsace-Lorraine and resigned. He founded the ‘Union Républicaine’ and fought against the threat of a monarchical restoration.
In 1875, the constitutional laws definitively established the Third Republic. In 1879, as President of the Chamber of Deputies, he disseminated moderate republican ideas in the newspapers and federated a network of associations and committees. He was renowned for his eloquence and persuasiveness. In his speeches, he knew how to use emotion to advance his cause.
His party won the legislative elections of 1881. Gambetta was then appointed President of the Council, today’s equivalent of Prime Minister. He undertook major reforms, but his government fell on 30th January 1882.
Ill, he retired and died on 31st December 1882. A grand state funeral was held in Paris on 6th January 1883.
Gambetta and the press
The Third Republic abolished censorship and liberalised printing, bookshops and billposting. The press became universal: everyone was free to create a newspaper. Titles and print runs increased significantly, addressing all categories of the population.
To get their messages across more easily, through the use of images, the political camps use caricature against their opponents. In this way, caricatures are not just entertaining. Newspapers of opinion wage a fierce battle to get the attention of readers, to win over public opinion and put pressure on the government.
The caricaturists do not hesitate to be mocking, vulgar or violent. They comment on the contradictions of society or the ups and downs of political life. Gambetta is the target of caricaturists from all sides. His glass eye and stoutness are the main features of his portrait-load.
Although primarily an orator, he quickly understood the role of the press, founding ‘La République française’ in 1871. This deliberately serious and austere newspaper is the mouthpiece of the ‘Union Républicaine’ party, aiming to convey its ideas to the provinces and to contribute to the education of its readers.
The press group included many titles. Gambetta being the ‘political director’ of the 2 main newspapers. This position took up a lot of his time but also brought him a large income. He bought a mansion in Paris that housed his residence, the printing works and the offices of his newspapers, as well as his political secretariat.
Did you say ‘personality cult’ ?
Gambetta was the subject of a true personality cult, both during his lifetime and after his death. His portraits are numerous, whether it be in paintings, sculptures or photographs.
More unusual are the everyday objects that feature him: cufflinks, silk ribbons, handkerchiefs, bottles, plates, etc. They are mass-produced and sometimes mention certain significant episodes in his life.
Gambetta’s untimely death shocked the population. A state funeral was organised in Paris in January 1883 before the body was buried in Nice.
Commemorative monuments were quickly erected. The one in Cahors was inaugurated in April 1884. Those in Paris, Sèvres, Bordeaux, Nice, but also those of Saigon and Oran followed. These were veritable ‘altars of the religion of the homeland’, where the inscriptions and allegorical representations take pride of place.
This is how Gambetta’s memory lives on. He is regarded as the most emblematic of the founders of the Third Republic and a defender of the homeland. In 1920, his heart was transferred to the Panthéon.
Additionally, his family also assembled a large collection of personal objects, documents and caricatures. They were donated to the town of Cahors in view of creating a Gambetta Museum. The museum opened in a room in the Town Hall at the end of 1932 to mark the fiftieth anniversary of his death. The collection was then transferred to the ‘Musée de Cahors’ (Cahors Museum).

Frédéric Auguste BARTHOLDI (Colmar, 1834 – Paris, 1904)
1872
Silver-plated bronze, marble
27.5 x 28.7 x 14.5 inches
A woman, with a hard look in her eyes and her arm outstretched, is holding her husband’s body. Their son by her side, she seems to be asking for vengeance.
The title gives the context: in July 1870, Napoleon III declared war on Prussia. His capitulation on the 2nd September led to the collapse of the regime and the proclamation of the Republic. Gambetta was Minister for War and refused any armistice. Against his advice, the peace treaty was signed on the 10th May 1871, attaching Alsace and part of Lorraine to the recently proclaimed German Empire.
If Gambetta was criticised for his desire for an ‘all-out war’, the Alsatians were grateful for his determination to regain their territory. In vain, Alsace-Lorraine only became French again after the First World War.
This statue was financed by a subscription from 12 towns whose coats of arms can be seen on the base.
Donation: Michaudel,1932
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).

1- Alexandre FALGUIÈRE (Toulouse, 1831 – Paris, 1900)
Bust of Léon Gambetta
1903
Bisque
12 x 9.8 inches
After the death of Gambetta, the State launched a competition for a commemorative monument. Its aim was to exalt the memory of an ardent defender of the Republic. This bust was produced in 1884. The ‘Manufacture de Sèvres’ produced it in biscuit porcelain from 1887 to 1933.
How and when this work was acquired has not yet been determined.
2- Commemorative plate
Sarreguemines, 1900
Screen-printed earthenware
D 8.2 inches
This plate is another example of Gambetta’s cult status after his death. He is shown in the centre, after a photograph by Etienne Carjat. Around him are depicted 4 important events in his life: the Baudin Trial (1868), his departure from Paris in a balloon (1870), the organisation of national defence from Tours (1870) and the sitting of the Chamber of Deputies on the 26th of January 1882, when he handed in the resignation of his government to the President of the Republic.
These illustrated plates, known as ‘commemorative plates’, have been very fashionable since the 1830s. They were offered for all occasions. Generally produced for use at receptions, they were used to liven up the discussion and also to show the host’s opinions, with current affairs being a recurring topic. Their use was, therefore, not insignificant.
To date, the exact date and method of acquisition are unknown.
3- Bottle
2nd half of the 19th century
Moulded glass
10.6 x 5.31 x 3.7 inches
How and when this work was acquired has not yet been determined.
4- Portrait of Léon Gambetta
19th century
Bronze patina
4.7 x 2.7 x 1.77 inches
To date, we do not know how or when this object entered the museum’s collections.
5- J.-B. CHAMPROMY (? – ?)
Ribbon decorated with a portrait of Léon Gambetta
1878 Paris Exposition
Fabric
13.38 x 7.87 inches
The paper support to which the ribbon is attached bears an inscription referring to the ‘Exposition Universelle de 1878’ (1878 Universal Exhibition), and more specifically to the ‘Galerie du Travail’ (Gallery of Machines). It was in this area that companies exhibited their products and workers gave demonstrations. The best arts, crafts and industrial products were rewarded.
This object may have been donated by the Léris-Gambetta family when the Gambetta Museum was created in 1932.
6- Cufflinks
2nd half of the 19th century
Glass and metal
D 1.14 inches
These cufflinks bear the inscription ‘Gambetta Président de la Chambre des Députés’ (Gambetta President of the Chamber of Deputies), a position he held from the 31st of January 1879 to the 27th of October 1881.
7- Jean-Désiré RINGEL-D’ILLZACH (Illzach, 1849 – Strasbourg, 1916)
Commemorative medallion
1883
Bronze
D 6 inches
This medallion shows Gambetta in profile. The majority of images that we have of him only show his left profile. He preferred to hide his right eye, which was punctured by a shard of metal and replaced by a glass eye in 1867 when he was a child.
If this commemorative medallion dates from the year following his death, representations of this type persisted until the 1920s, demonstrating both the importance of the figure and the cult of which he was the object.
Acquired before 1916.
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).
How and when this work was acquired has not yet been determined.
8- Case of pistols
19th century
Paris, Gastinne and Renette Gunsmiths
Metal, wood, velvet
18 x 11 x 3.1 inches
This case has a brass plate engraved ‘Léon Gambetta’ on the lid. It has an upper tray and a base, divided into compartments dressed in green velvet. It contains:
This pair of pistols may have been the ones used by Gambetta in his duel with Fourtou on the 21st of November 1878.
In 1878, Gambetta accused Mr de Fourtou of lying. Offended, Fourtou instructed his witnesses, Blin de Bourbon and Robert Michell, MPs, to ask Gambetta for a retraction or to take up arms to make amends. Gambetta, for his part, asked Allain-Targé and Clemenceau to contact them. As the meeting was unavoidable, the duel was to take place with a rifled firearm – making the direction of the bullet unpredictable at 35 paces and with only one bullet to be exchanged. The meeting took place at Plessis-Piquet on a foggy day. They fired without any result. From then on, Gambetta regularly practised pistol shooting.
This box could be part of the Michaudel donation, 1932.
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).
9- Cyprien Antoine CALMON (Creysse, 1837 – Cahors, 1901)
Gambetta
2nd half 19th century
Patinated terracotta
9.44 x 5.1 x 3.7 inches
Calmon, who was the first curator of the Cahors Museum, represents, here, Gambetta in a lawyer’s robe. The artist treated the face with great care, creating a true portrait of the politician. However, the oversized head in relation to the body and the exaggerated movements make this sculpture a real three-dimensional caricature.
Donation: Calmon, date unknown
10- Match holder
After 1869
Cast pewter
4 x 3 x 2.9 inches
This was an everyday object at a time when matches were bought in batches, not necessarily in boxes. Until the 1840s, matches were not stable and could ignite when rubbed against any surface. It was, therefore, common to store them in a specially designed container, with the head upwards to avoid any friction.
Gambetta is shown here with a disproportionately large head, but the representation is not mocking or degrading, unlike press caricatures. He was indeed appreciated by the people who bought this type of object. On the other hand, it is possible that his portrayal as a match holder is ironic.
In 1872, match production became a state monopoly: it was necessary to re-establish the country’s finances, which had been damaged by the 1870 war. Gambetta, then Minister of Defence in the National Defence Government, was in favour of continued combats.
Donation: E. Grangié, date unknown
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).
11- Clock
2nd half of the 19th century
Wood, iron and metal
14 x 7.8 x 5.5 inches
A dedication indicates that this clock was presented by a delegation of Czech soldiers to the Great French Patriot. The tribune, during its lifetime, enjoyed great international success for its patriotic values.
Gambetta is shown standing in the gallery of the National Assembly. His left hand resting on the lectern, his right on a bell. His right arm is articulated and connected to the clock mechanism.
On loan from the ‘MuCEM’ (Museum of European and Mediterranean Civilisations), 1975
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).

Henri SCOTT (Le Havre, circa 1846 – Paris 1884)
1883
Oil on canvas
59 x 108 inches
When Gambetta died in the very last hours of 1882, the government granted him a state funeral at public expense. This choice was explained by his role during the Franco-Prussian war in 1870-71. Combining the functions of Minister of Defence and Home Secretary, he was in a sense the head of the National Defence Government. His mission was the equivalent to that of a Head of State, allowing him to claim military honours.
His body was transferred to Paris, where a chapel of rest was set up in the Grande Galerie des Fêtes of the Palais Bourbon. On the 4th and 5th of January, 150.000 people walked past. The funeral decorations were designed by several artists who were friends of Gambetta.
Outside, the colonnade was veiled in crepe, as was the statue representing the city of Strasbourg on the Place de la Concorde.
The funeral took place at 10 a.m. on the 6th of January 1883. 1.200 funeral wreaths were sent from all over France. Around 400 delegations attended, forming a long procession that made its way to the Père Lachaise Cemetery where the coffin was laid to rest.
Around ten thousand people lined the route. They included many provincial politicians inspired by Gambetta’s speeches, as well as many students. The coffin was buried in the Père Lachaise Cemetery.
On the 14th of January, his body was moved to Nice, where his family had settled, for final burial alongside his mother. A new funeral was organised, financed by the city of Nice, to pay final tribute to the politician. The body was moved one morning at 6 a.m. to avoid the crowds. A funeral van took it to the Gare de Lyon, where a train had been specially chartered. The train made several stops, systematically punctuated by speeches by official delegations without an audience.
Transfer of ownership from the State, 2006
Restored in 2020 with the help of the ‘Fonds Régional d’Aide à la Restauration’ (Regional Restoration Aid Fund).

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